Plan routier de la ville et faubourg de Paris, 1776 / chez Lattré. On loan from the Institute of Historical Research, School of Advanced Studies, EF.15 Lat. Photo: Mary Hinkley Passports and identity documents The Hôtel d’Elbeuf shared the square to its front – the Place du Carrousel – with the Tuileries Palace, which during the Terror housed the National Assembly and the Committee of Public Safety Maximilien de Robespierre, 1798-1817,by Charles François Gabriel Levachez & Jean Duplessi-Bertaux,UCL Art Museum LDUCS-4536 Extracts from the letters of dowager duchess D’Elbeuf, a hitherto unknown witness to the Revolution, feature in the exhibition UCL Art Museum LDUCS-10542 Robespierre is described as an ‘execrable tyrant’, 'nothing could quench his thirst for human blood’ Marie-Anne Charlotte Corday, 1793, who stabbed the 'Friend of the People' Jean-Paul Marat to death in his bathīy Pierre-Michel Alix.
#Reign of terror french revolutionary calendar how to#
It was used to disseminate the image of Marat's sacrifice throughout the Republic.Īrtist - Jacques-Louis Copia (after Jacques-Louis David). UCL Art Museum LDUCS-10556 Portrayed with short hair in preparation for the guillotine 'she is leading us to our death, but she is showing us how to die' This print of Jean-Paul Marat from 1794 is of an iconic image created by celebrated revolutionary artist Jacques-Louis David at the request of the revolutionary government. Louis XVI by Noel Lemire (1724 – 1801) After Jean Michel Moreau (1741 – 1814), , 1792, LDUCS-10058 An iconic engraving of 'Friend of the People' Jean-Paul Marat portrayed as a Christ-like figure Photo © Mary Hinkley A group of revolutionaries stormed the Tuileries Palace, confronted Louis XVI and forced him to wear a revolutionary bonnet Design Angela Scott ©UCL Art Museum The Making of Martyrs Image based on Jean-Paul Marat by Jacques-Louis Copia (after Jacques-Louis David) (detail), 1794, LDUCS-10556. From the trial and execution of Louis XVI to the fall of Robespierre